Theater der Zeit

CHANGES (English edition)

Berliner Festspiele 2012 – 2021. Formats, Digital Culture, Identity Politics, Immersion, Sustainability

232 Druckseiten, 32 Beiträge, Ausgabe kaufen

Assoziationen: Thomas Oberender Berliner Festspiele

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Ch-ch-ch-ch-changes

von Thomas Oberender

This book is an attempt to pass on inspiration. It has emerged from the activities of a cultural institution that comprises all genres of contemporary art. And at the same time, this book is an attempt to transcend these last ten years of activities and to distil from them a few key thoughts and documents that highlight the most significant changes we have undergone during this period. On the one hand, this Changes volume documents conversations with artists and intellectuals that, in the broadest sense, represent milestones marking profound changes in German-language cultural institutions. In addition to documenting these source texts of artistic practice, the second main purpose of the book is to distil from the wealth of themes and …

Formats

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Digital Culture

Digital Culture

In his book Kultur der Digitalität (published in English under the title: The Digital Condition), Felix Stalder describes how shortly after Conchita Wurst won the Eurovision Song Contest, Facebook increased …

von Thomas Oberender

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Exorcism

In the beginning, there was him: HE. Man as the measure of all things, made to rule over the fish in the sea and the birds in the sky, over …

von Susanne Kennedy

The System of Everything

In the beginning I was an elephant. My first play-through of David OReilly’s computer game “Everything” started inside the skin of a trunked animal. Shortly after that I slipped into …

von Stephan Schwingeler

The Art of Realtime

When I started developing video games as an extension of animation, I realised that this new medium works according to a completely different set of rules. Video games are about …

von David OReilly

Identity Politics

Decolonizing Time

I think for me one of the key meanings of “decolonizing time” is a coming to inhabit multiple temporalities, coming to inhabit enfolded and entangled times that are ontologically complex—a …

von Donna Haraway

The Mess of Self-Revolting

“Dear Necati, thank you for the invitation to write about ‘unlearning’ for Theatertreffen’s magazine, and yes, it sounds very interesting and I will be happy to do it. Would you …

Making Kin

A lot has changed at Gropius Bau in the last four years, and we have been able to change along with it, adapting to new artistic themes. Together we have …

von Stephanie Rosenthal

Arrival in No-Man’s-Land

A lot has changed at Gropius Bau in the last four years, and we have been able to change along with it, adapting to new artistic themes. Together we have …

von Jens Bisky

Immersion

Mind in the Cave

Cave About 45,000 years ago, a new consciousness of humanity began to manifest itself in the form of drawings on the walls of caves. The ability to project inner images …

von Markus Selg

Sustainability